The
Satanic Verses by Salman Rushdie. Published 2000 (first published 1988) by
Picador Books, New York & London, 576 pages, US$16, ISBN: 0 312 27082 8.
WHEN
the first �fatwah�, or holy execution sentence, was pronounced on Salman
Rushdie following the publication of The Satanic Verses in 1988, I was,
like others who had not read the book or Rushdie's other work, none the wiser. All
the media fuss of the "liberal freedom of speech versus mediaeval
theocratic mullah mind-set" sort of left me rather cold.
Out of curiosity I started reading some of Rushdie's other books and realised that, far from being the caricature of a westernised ex-colonial with a niche market in the language of Shakespeare or Chaucer, he actually produced extremely rich work with far more than an inkling of skill and humour. Rushdie is possibly one of the best writers to have come out of the English language for quite a while. Furthermore, I actually enjoy reading him.
Rushdie
certainly pre-dates the Harry Potter phenomenon by several years in terms of
both inventiveness and sheer delight.
To
tell the truth, I would probably vote either Rushdie's Midnight�s
Children or The Moor�s Last Sigh
as being better novels from a strictly stylistic point of view. The
Satanic Verses develops through a sometimes bewildering array of characters,
sets, times and dimensions. At times
these are masterly: the Indian film star Gibreel, the public school Bombay radio
star Saladin (and where was Richard Coeur de Lion?) trying to be awfully
English, the Grangehill teenage karate expert � absolutely "wicked".
At other times, the characters are simply, well, bewildering: Pamela Lovelace, the
phoney Sloanie social worker, the butterfly mystic with her spurned Mercedes
bound aspirant lover and critic, the flat-footed-mountaineering blonde
bombshell. Possibly closest to the rub is the rather fetched re-enactment of the
Prophet Mahound. It starts in a convincing play-set and degenerates into a
rather less convincing brothel where the auld satirist enemy of the Prophet
works it out as the eventual husband of twelve whores, to be stoned of course,
who have taken the names of the Prophet's wives. Well I suppose if you were
asking for a balanced review from an Ayatollah or a chat-show on Al Jazira,
this may possibly not be the best way of going about it.
However,
where Rushdie really hits a chord is in the rather apt depiction of the
confusion of good and evil, good guy bad guy in the struggle, finally final
between the Angel Gibreel and the devilette Saladin. Apt, as it seems to sum up
very eloquently the rather confused conceptions of our gallant leaders of
democracy as they go for the chap who blew up the Twin Towers, Bin Saddam ... or
something similar. So what sort of
reception might Salman Rushdie�s The Satanic Verses have received
had it been written today rather than in the 80�s? I add my own estimates of
the probability of death threats or GBH in a few interesting cases.
Osama Bin Laden, if alive, would no doubt not have taken too kindly to
the objective criticism of blasphemy, pulling the Prophet�s beard and
generally ridiculing someone's religion. On the other hand, he would be unlikely
to have read it. Odds? Probably quite high: 2
to 1 against.
Salman, we eagerly await your next novel � perhaps a head-on assault of Lord Vodemort? Just one word of advice: I should leave the Christian Fundamentalists alone if possible.
Note: This review was first published on February 10 2003 by JUST Book Reviews.
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